Goodreads Bombing
As an author, do you need to worry about an influx of reviewers leaving one-star reviews on your book, tanking your average rating, and potentially pushing away potential readers?
As an author, do you need to worry about an influx of reviewers leaving one-star reviews on your book, tanking your average rating, and potentially pushing away potential readers?
Social media research is an integral part of building a strong social media strategy. It forms the building blocks of your social media campaign and is an incredibly helpful guide to get everyone on the same page in a short amount of time. With that being said, if this is your first time working on a social media strategy, it may seem daunting going into it. These tips will help ease your fears and break down the process.
Many translators view editors as a necessary evil. In a perfect world, translators would be their own editors because they have a mastery of their chosen languages as well as a “literary gift” of their own to smooth the way for any idioms or metaphors that don’t translate easily. As it stands, most translators “resort” to working with an editor. So what is it about editors that is so irksome to translators?
Without a doubt, 2020 was a difficult year, and these difficulties have extended to our neighborhood independent bookstores. These independent bookstores have had to close, shift their business models, and more to survive during the pandemic, but they are not dead yet. Here’s why and how you can help these stores survive.
Romance is an incredibly expansive genre, so it is not surprising that each author here offers their own unique take on the signature “happily ever after.” This blog features five romance authors who either hail from Oregon or lived here at some point: Lynda Aicher, Maisey Yates, Cindy Hiday, Catherine Anderson, and Elisabeth Naughton. From contemporary to historical, there is a romance book for everyone. Who knows, you may just fall in love with Oregon along the way!
As the new manager for the Ooligan Press website, my team and I have been appointed a task of monumental importance. The work that we do will ultimately end up creating a brand for Ooligan Press, so our work needs to be a genuine representation of our goals and values. Though we are still in the beginning stages of our endeavor, we are excited by what we have accomplished so far.
The screen can’t replicate the smell of a bookstore, the hug of a friend that you meet there, or the simple excitement of seeing an author you love in person. And let’s not forget the palpable energy you feel being in a room full of people who are attentively listening to a reading of delightful prose. Despite these shortcomings, it appears that virtual events have some winning qualities after all.
Because traditional publishing is so saturated with submissions, and is therefore tricky to break into as an emerging author, many new authors decide to self-publish their first book as a sort of stepping stone into mainstream publishing.
The arrival of summer means that our second-year students, including managers, are graduating and moving on from the program, while our new incoming managers are wrapping up their training and preparing to take over their departments for the summer term of classes. It will be interesting to see how these different experiences, learning environments, and mentalities will influence the press in the future.
Literary festivals have long been considered a bastion of in-person connection for fans, authors, and publishing houses, but what do they look like in the new virtual world of COVID? The largest book festival in the world, the Edinburgh Book Festival, wrapped up their digital event at the end of August with the intent to “Keep the Conversation Going.” Implementing their first-ever virtual event, the festival drew in hundreds of thousands of viewers in the midst of the global pandemic.