I am in a program where the classroom is an example of a trade press, and I assist in the book publishing process. Yet, when I get home, I can’t read the printed books. This is the reality of being visually impaired at Ooligan Press.
Until publishers adapt to the usage of queer BISAC codes, we will never be able to measure the true extent of queer literature’s popularity, which is not only detrimental to accurate sales analysis, but also to the queer community itself. Queer literature has long existed in the margins—published only by independent presses, relegated to “special interest” bookstores, and so on. But with the genre’s significant and longstanding popularity, as well as its movement into the general public’s eye, there is no reason for it to remain on the sidelines.