“We seek to publish regionally significant works of literary, historical, and social value to the Pacific Northwest. . . . we encourage works originating from, or focusing on, the experiences that come from these people and communities within the Pacific Northwest” (Ooligan Press). 

These are some of the first words authors see when opening up Ooligan’s submission guidelines. While over the years, we as a press don’t live and die by this acknowledgment, I am here to explain why it is so important to consider. The Pacific Northwest (PNW) ranges far beyond Portland, Oregon, but as this is our press’s home, I must expand on its significance in particular.

Portland has long been considered a literary city and bustling hub for writers and readers alike. In 2024, Portland was named the sixth best city for US book lovers (woohoo!) according to Explore.com based on a number of factors. We are home to none other than the world’s largest independent book store, and a variety of other shops for our niche communities and visitors. We as a city maintain dozens of independent bookstores—this is quite high compared to other cities. Especially because we have romance, queer, science fiction/fantasy, international, and so on, specialty stores. With this reputation, it is no wonder that we love to support this thriving community. Here in Portland, we love to support local businesses. As an independent publisher, Ooligan is a part of the small business scene and will always reinforce the importance of community. 

Now, what is the connection between works of social and historical value and PNW voices? As a city, state, and region of the United States, we have a long and diverse history that needs to be told by the people that helped build it. Tribal Histories of the Willamette Valley by David Lewis, one of our backlist titles, is a great example of the cultural history within Oregon and the PNW, showcasing why these stories need to be told. Another fiction title from us, Love, Dance & Eggrolls by Jason Tanamor, recounts a Filipino teen struggling with his cultural identity in the city of Portland—an example of bringing Asian PNW voices to the forefront and confronting the past of such a liberal city. 

Representation in literature can work in many ways, from nonfiction narratives to tradition brought to life in fantasy. There is no way to define what representation is and can mean to individuals. As a publishing house, it is Ooligan’s job to make people feel seen and heard, amplifying local voices is a way that can reach the people closest to us and readers who will feel a raw, true connection to our stories. 

Local Love from Ooligan:

• 50 Hikes in the Tillamook and Clatsop State Forests by Sierra Club Oregon Chapter
• Cekpa: A Memoir in Beaded Essays by Leah Altman
• Where We Call Home by Josephine Woolington
• Extreme Vetting by Roxana Arama
• Elephant Speak: A Devoted Keeper’s Life Among the Herd by Melissa Crandall
• Sleeping in My Jeans by Connie King Leonard
• The Portland Red Guide by Michael Munk