Editorial

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The Art of Editing Graphic Novels

In a previous blog post, we discussed how editors in the comic book industry have their work cut out for them. While they’re certainly not the only type of editor who deals with multimedia editing, comics and graphic novel editors face unique challenges compared to those who deal with more traditional texts like children’s books or even textbooks. One of the key differences in this type of editing is that graphic novels utilize sequential art to tell the story. While other editors still have to look at whatever images they’re using, comics editors need to pay equal or even greater attention to the art.

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A Writer’s Guide to Editing

Writing a story takes blood, sweat, and tears, and the process of revising one’s own work takes time and dedication. All this hard work culminates in a promising manuscript, but in order to achieve the most success, a manuscript needs the attention of a professional editor. To receive the best editing, it’s important to know what to ask for—and that requires knowing the levels of editing offered.

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Know Better, Do Better: Editing for Authenticity in Our Spring YA Title

Our May 2020 title faces down its darker elements—including violence, bigotry, and abuse—with both unflinching realism and hope. Importantly, it portrays the struggles of two main characters who fall under the LGBTQIA+ umbrella. Because these identities do not exist as a monolith, and also because this is a book intended for a YA audience, Ooligan chose to incorporate authenticity readers (sometimes called sensitivity readers) into the editorial process.

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First-Draft Blues

Not all great hits in the world of publishing and storytelling start off with a bang. In fact, many well-known authors had ideas upon ideas for their stories, characters, and voices that were scrapped before their final drafts were produced—final drafts that might be surprising in comparison to the original ideas from which they developed.

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You CAN Make Your Editor’s Life Easier!

The most important thing to remember about an editor, is that they are people too (no, they are not perfect); they do have feelings. Having to deal with the stigma surrounding their profession, as well as their actual work, can be pretty overwhelming. Shouldn’t authors want to be helpful, especially for someone they will be working so closely with? Newsflash: you CAN make your editors life easier! Here is some advice that will allow you (as a writer) to ease the weight on your editor’s shoulders.

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